Archive for the ‘Music’ Category

On Failing the RPM Challenge

(and why I’m still glad I tried)

 

For the past month I have been participating in the RPM challenge, which in their words is,

Record an album in 28 days, just because you can.

What is considered to be an album is either 10 songs or 35 minutes of music. I was shooting for 35 minutes and fell pretty short of the mark.

 

It’s quite a tall order for if you have other responsibilities in your life. I could imagine it being not so difficult had I been able to retreat to a secluded studio somewhere, or taken a few weeks off of work to dedicate my mind, body, and soul to the task at hand. I knew I would not have these luxuries, but I also don’t think that is the point, nor do I think most musicians, amateurs or professionals alike, have these luxuries.

For me, I was enticed by one of their poster’s tag line,

What if every musician you knew put their music first for 28 days?

Sometimes it seems there is an infinite list of reasons for musicians to put almost any other aspect of lives before their music. I decided to take the month of February this year and spin that list right around. Equally important to the challenge I had with myself was an understanding that their would never be a “good” month to do this, or some magical distraction free place to run away to, and that the next step for me as a musician was to realize that fact and embrace it. In this case, by attempting to put 35 minutes of music on and CD, during the shortest month of the year, without taking any days off work, and mailing it to New Hampshire.

Side-note:

I once saw an interview with Smokey Robinson where he talked about writing a song everyday just because he can. I’m sure there are thousands that never make it onto a record, but he did point out that he doesn’t “have to go on top of a mountain” somewhere so he can work, it’s just a simple part of his day and life. I’m not a huge Smokey Robinson fan, he wrote some great hits no doubt, but that particular aspect of him I respect most.

Positive Effects

Despite throwing in the towel mid-last week when I realized there was no longer a chance of having 35 minutes of music finished, I still feel that some good things came from the experience.

  1. Workflow: Having an upcoming deadline forces you to stop tinkering with your setup and start producing material as fast as possible. The RPM challenge is a good way to put your DAW workflow strategies to the test and also realize how they can be improved.
  2. Writing Every Day: Get yourself in the habit of spending every free minute enjoying the life of a composer. Doesn’t matter how you do it, record it, sing it, write it down on staff paper, program mathematical algorithms, or just draw some abstract shapes, you’ve got to be creative every day.
  3. Form and Completion: This is the one that gets me. I’ve always had more ideas on the table than finished products, but again, that deadline looming over you forces you to figure out how to build on those random bits of inspiration and give your pieces form and structure.

Finally, here are two of the more “finished” sounding pieces that I was working on during February. They are both just one part songs which feature more free guitar improvisation than solid melody, but I hope you enjoy anyway.

 

The first song is temporarily titled Egypt 2011 because I had been watching news reports of the riots before sitting down to record this one. I tried to give it a dark feel.

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The second song has the working title of Tuesdays which I got when added the melancholy horn lines on a cold dreary Tuesday afternoon. The whole tune ended up having a slightly more wistful feeling than I was really going for, but I guess I can live with that.

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Amazing Jazz Guitar from Kevin O’Neil



It’s a shame when life gets in the way of your blogging. This has been the case with me ever since the holidays, but I’ll be back soon with some projects and interesting ideas to share.

In the meantime, I highly recommend listening to 23 Standards by Anthony Braxton. The entire album is amazing, but as a guitarist I was immediately impressed with the performance of Kevin O’Neil. His sense of timing and phrasing is completely original, entirely different from the funk sensibilities of my old favorites such as Grant Green or Melvin Sparks. Rather than constraining his improvisations to the “in the pocket” feel that most guitar players stick to, he manages to push, pull, and destroy the groove more like an avant-guard tenor sax player.

He also shreds with incredible speed and persistence throughout the entire range of the guitar. I have this image in my mind of him having to buy a new guitar every few years or so after wearing down the fretboard on the one he currently owns. It’s probably not true, but his playing sounds that sick.

Give it a listen until you hear from me next. You won’t be disappointed.

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Ardour and OSC Ideas



Ardour is a very inexpensive open source DAW software that runs on Mac OS and Linux though the use of the Jack Audio Connections Kit. It is essentially free, however a small donation will give Mac users the ability to save AU settings with a project. In addition to it being open source, many of its functions can also be controlled through OSC.

Considering the high price tag on most DAW software I was a little skeptical of the stability and usefulness of something that was basically being given away for free. No rewire support and its dependency on Jack also made me wonder if it was worth the time exploring.

After using Ardour for a few weeks I have to say I was wrong to ever doubt it. I have found it to be a very stable program that is fully capable for most applications, and the use of Jack to route audio has worked flawlessly on my MacBook Pro so far. In fact, being free from the constraints of what is rewire-able has actually opened up some creative possibilities that I though wouldn’t have been possible before. (more…)

Jasuto Sounds

JasutoPhoto

A combination of being on vacation, and having the graphics card in my 15.4″ MacBook PRO Laptop Computer fail shortly after I returned, provided an unintentional opportunity to get to know my iPod Touch a little better.

Jasuto gave me plenty to keep me busy while my computer was at the shop. I really enjoy having so much modular synth power on a handheld device, and I found it’s usage to be fairly intuitive.

Have a look at some more detailed tutorials and descriptions of Jasuto’s features at the app’s webpage.

Here are a few exmaples of what I could do with Jasuto after a few days of experimentation.

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Free Guitar Samples for Beatmaker

An assortment of random guitar samples, mostly of the funk variety, for use with Beatmaker on your iPhone. I wouldn’t recommend trying to make a song with these samples alone, although some can be used together, most of them are at different tempos, and in different keys; as well as being mixed differently.

I just wanted to offer up some guitar samples to the BeatMaker community. The process actually took much longer than I thought. Honestly, I think some of the samples are a bit rough around the edges, but whatever, they are free for non-commercial use, so slice’em up and have fun!

Here are a few examples of what you get when you download the kit. Also, I have included a small .txt file that gives the bpm for each sample to save you some trouble.

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Making a Jazz MixTape

Recently I sat down to do something I haven’t done in a long time. Make a MixTape for a friend. After hearing No Room For Squares by Hank Mobley, my friend admitted that she was much more knowledgeable on the subject of vocal jazz as opposed to instrumental jazz. So, I offered to make her a MixTape of some songs that she might like.

These are the tracks that I decided on. By no means is this a list of tracks I feel to be the most important or most influential in the jazz genre, but rather a compilation of tracks that I enjoy or find unique for a particular reason. Please feel free to leave comments on any of the tracks that I mention, or ones that you feel should have been included.


The Real McBop Live at the Blue Note by Arturo Sandoval

  • Recorded June 10-11, 2004 at the Blue Note, NY
    Arturo Sandoval (Trumpet)
    Dennis Marks (Bass)
    Felipe Lamoglia (Saxophone)
    Rene Toledo (Guitar)
    Tomas Cruz (Percussion)
    Alexis Arce (Drums)
    Phil Magallanes (Piano)

This album includes a DVD of the performance as well as the CD version. Well worth the money, especially since halfway through the performance Arturo plays an imaginary Acoustic Bass and does some extended vocal solos that are better appreciated seen than just heard. The DVD also includes some interviews with Arturo Sandoval as an added bonus. The opening track, The Real McBop, is a fast Bebop tune pushed along by Afro-Cuban rhythms. I love this sound, and clearly nobody is doing it better these days than Arturo Sandoval.

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BeatMaker — Junky Sounds for Junky Beats

JunkYardCar

This Beatmaker Kit is my attempt at putting together a Lo-Fi collection of junky soundbits for rough noisy beats.

Most of the sounds I used for this kit are from a collection of field recordings that I did years ago on a hand-held tape recorder. My goal with this collection was to create an appealing Lo-Fi kit from what essentially was, just some moderately interesting recordings with low quality sound.

I also added a few homemade samples that I recorded directly into my computer as well. Have a listen to what I did with it and download the Kit if you like.

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Junky Kit Download Link

Get Beatmaker HereINTUA

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BeatMaker Beats

BeatMakerI’ve been having entirely too much fun with this awesome iPhone/iPod Touch application by Intua. I put off buying BeatMaker for a long time because of the 19.99 price tag. When there are so many good music applications for much less, why bother, right?

The reason I bothered was that you can upload custom sounds. I searched and searched for a cheaper application that has this same functionality, but in the end I just gave up and dished out the 20 bucks — it was totally worth it!

I don’t really want to make this a review since there have already been plenty of great reviews on BeatMaker, (you can find a very thorough review here) but I do want to show some of what I have been doing with it.

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After playing around, making beats on the train like the one above, and learning the ins and outs of this app, I finally got around to creating my own kit. I used a collection of samples that I downloaded from freesound.org, (attribution page included in download) and I also made some samples using my keyboard and guitar.

I wanted to have an amount of variety with each sample that I created. The C7_Rhodes, Organ&GuitarVamp, and OrganBass samples are probably all best used after slicing down the audio file to a specific section that you want to use. This isn’t a problem because you can crop down any audio file within BeatMaker easily. Here is a little beat I created with my custom set.

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MIDI Generating LFOs Audio Example

This is an early rough draft of a composition I started working on recently. It utilizes the Max/Msp patch that I wrote about in my first post on Midi Generating LFOs. At the end of that earlier post I listed four things that I wanted to work on for the next step in this project. I haven’t done any of it. Except to sync up the LFOs in my patch to a musical composition. So far the piece has an electronic drum track, keyboard, and the Max/Msp patch – as well as a handful of other effects. Hope you like it!

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