Tokyo Skyline

Audio, Video, and Creative Code Tutorials Review

All of my pre­vi­ous projects have come to a dra­matic halt these days while I spend more time edu­cat­ing myself with some real pro­gram­ming skills.

Not hav­ing a lot to show for the past cou­ple months, I thought I’d sim­ply share my opin­ions on some of what I believe are the best book/tutorials avail­able for those look­ing to dive head­first into com­puter pro­gram­ming, cre­ative code, and/or inter­ac­tive media installations.

First off, the book that is essen­tially respon­si­ble for allow­ing me to think that I have any busi­ness what­so­ever writ­ing any kind of code:

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My Apologies…

…to any­one who vis­ited my site over the past cou­ple weeks. I was hacked and I wasn’t able to get around to fix­ing the sit­u­a­tion and set­ting up a new site until yesterday.

Everything should be fine now as far as I can tell. Google has taken down their mal­ware warn­ing on my site too. Things have been extra­or­di­nar­ily busy in my per­sonal life recently, but you can expect some new posts and projects to be com­ing out over the next cou­ple weeks.

Please Stay Tuned,

Max

TouchOSC and Ardour

TouchOSC Layout Page 1

After too long a delay I finally fin­ished my first ver­sion of a TouchOSC based trans­port for Ardour. One of the most dif­fi­cult aspects of this project was the sheer num­ber of Ardour’s func­tions that can be con­trolled via OSC. Deciding what to incor­po­rate into the lay­out and what to leave out took hours of con­sid­er­a­tion and exper­i­men­ta­tion. I tried to keep every­thing as stream­lined as pos­si­ble only using using func­tions in my lay­out that I thought would be of the most use.

As I dis­cussed in my pre­vi­ous post, you will need to run Max5 patch in the back­ground to allow bet­ter com­mu­ni­ca­tion between TouchOSC and Ardour. Please go ahead and down­load the .zip file which con­tains the TouchOSC lay­out, .max­pat file, and a .mxf file as well.  Even if you don’t own Max/Msp/Jitter, the patch should work fine using the Max/Msp run­time ver­sion, which is free to download.

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Technical Difficulties

FYI

In the process of updat­ing some things on my site today I unknow­ingly erased the down­loads data­base. It’s prob­a­bly going to take me sev­eral hours to maybe a day before every­thing is re-uploaded and work­ing prop­erly. I apol­o­gize to any­one who is try­ing to down­load something.

Come back real soon and I should have things all sorted out.

Thanks,

Max

Amazing Jazz Guitar from Kevin O’Neil



It’s a shame when life gets in the way of your blog­ging. This has been the case with me ever since the hol­i­days, but I’ll be back soon with some projects and inter­est­ing ideas to share.

In the mean­time, I highly rec­om­mend lis­ten­ing to 23 Standards by Anthony Braxton. The entire album is amaz­ing, but as a gui­tarist I was imme­di­ately impressed with the per­for­mance of Kevin O’Neil. His sense of tim­ing and phras­ing is com­pletely orig­i­nal, entirely dif­fer­ent from the funk sen­si­bil­i­ties of my old favorites such as Grant Green or Melvin Sparks. Rather than con­strain­ing his impro­vi­sa­tions to the “in the pocket” feel that most gui­tar play­ers stick to, he man­ages to push, pull, and destroy the groove more like an avant-guard tenor sax player.

He also shreds with incred­i­ble speed and per­sis­tence through­out the entire range of the gui­tar. I have this image in my mind of him hav­ing to buy a new gui­tar every few years or so after wear­ing down the fret­board on the one he cur­rently owns. It’s prob­a­bly not true, but his play­ing sounds that sick.

Give it a lis­ten until you hear from me next. You won’t be disappointed.

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Ardour and OSC Ideas



Ardour is a very inex­pen­sive open source DAW soft­ware that runs on Mac OS and Linux though the use of the Jack Audio Connections Kit. It is essen­tially free, how­ever a small dona­tion will give Mac users the abil­ity to save AU set­tings with a project. In addi­tion to it being open source, many of its func­tions can also be con­trolled through OSC.

Considering the high price tag on most DAW soft­ware I was a lit­tle skep­ti­cal of the sta­bil­ity and use­ful­ness of some­thing that was basi­cally being given away for free. No rewire sup­port and its depen­dency on Jack also made me won­der if it was worth the time exploring.

After using Ardour for a few weeks I have to say I was wrong to ever doubt it. I have found it to be a very sta­ble pro­gram that is fully capa­ble for most appli­ca­tions, and the use of Jack to route audio has worked flaw­lessly on my MacBook Pro so far. In fact, being free from the con­straints of what is rewire-able has actu­ally opened up some cre­ative pos­si­bil­i­ties that I though wouldn’t have been pos­si­ble before. Continue Reading »

Jasuto Sounds

JasutoPhoto

A com­bi­na­tion of being on vaca­tion, and hav­ing the graph­ics card in my 15.4″ MacBook PRO Laptop Computer fail shortly after I returned, pro­vided an unin­ten­tional oppor­tu­nity to get to know my iPod Touch a lit­tle better.

Jasuto gave me plenty to keep me busy while my com­puter was at the shop. I really enjoy hav­ing so much mod­u­lar synth power on a hand­held device, and I found it’s usage to be fairly intuitive.

Have a look at some more detailed tuto­ri­als and descrip­tions of Jasuto’s fea­tures at the app’s web­page.

Here are a few exmaples of what I could do with Jasuto after a few days of experimentation.

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Free Guitar Samples for Beatmaker

An assort­ment of ran­dom gui­tar sam­ples, mostly of the funk vari­ety, for use with Beatmaker on your iPhone. I wouldn’t rec­om­mend try­ing to make a song with these sam­ples alone, although some can be used together, most of them are at dif­fer­ent tem­pos, and in dif­fer­ent keys; as well as being mixed differently.

I just wanted to offer up some gui­tar sam­ples to the BeatMaker com­mu­nity. The process actu­ally took much longer than I thought. Honestly, I think some of the sam­ples are a bit rough around the edges, but what­ever, they are free for non-commercial use, so slice’em up and have fun!

Here are a few exam­ples of what you get when you down­load the kit. Also, I have included a small .txt file that gives the bpm for each sam­ple to save you some trouble.

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Image Mashups using Jitter

After my pre­vi­ous post, Jitter Kaleidoscope and other Cool Effects, I decided to spend some more time with the Peter Elsea Tutorials and see how else I could mashup my pho­tos. His tuto­ri­als on the [jit.repos] object gave me a lot to work with, and for those who are more math­e­mat­i­cally inclined, I’m sure these sim­ple exam­ples could be taken much further.

For this set of pho­tos, I incor­po­rated the [jit.qt.effect] into my patch. This object allows you to access real-time quick­time effects. In this case, I used two [jit.repos] objects, each pre­form­ing some kind of pro­cess­ing on sep­a­rate pho­tos that then get fed into the two [jit.qt.effect] inputs.

I think it is impor­tant to remem­ber that there are many dif­fer­ent effects and para­me­ters within the [jit.qt.effect] object. These pic­tures are only a small exam­ple of a few. Although, I am using pho­tos, any of these effects could be used on a video sig­nal as well, which I would love exper­i­ment with as soon as I can get my hands on a video camera.

On the other hand, per­form­ing var­i­ous lay­ers of effects on large pic­ture sizes (1440 x 900 on my 15″ mac­book pro) used up quite a bit of pro­cess­ing power. I had fre­quent crashes. I’m sure there could be ways to bet­ter opti­mize my patch, but for now this is what I have to show for myself.

***Click on the Images or the Gallery Link at the Bottom of the Page for larger Pictures***



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Making a Jazz MixTape

Recently I sat down to do some­thing I haven’t done in a long time. Make a MixTape for a friend. After hear­ing No Room For Squares by Hank Mobley, my friend admit­ted that she was much more knowl­edge­able on the sub­ject of vocal jazz as opposed to instru­men­tal jazz. So, I offered to make her a MixTape of some songs that she might like.

These are the tracks that I decided on. By no means is this a list of tracks I feel to be the most impor­tant or most influ­en­tial in the jazz genre, but rather a com­pi­la­tion of tracks that I enjoy or find unique for a par­tic­u­lar rea­son. Please feel free to leave com­ments on any of the tracks that I men­tion, or ones that you feel should have been included.


The Real McBop Live at the Blue Note by Arturo Sandoval

  • Recorded June 10 – 11, 2004 at the Blue Note, NY
    Arturo Sandoval (Trumpet)
    Dennis Marks (Bass)
    Felipe Lamoglia (Saxophone)
    Rene Toledo (Guitar)
    Tomas Cruz (Percussion)
    Alexis Arce (Drums)
    Phil Magallanes (Piano)

This album includes a DVD of the per­for­mance as well as the CD ver­sion. Well worth the money, espe­cially since halfway through the per­for­mance Arturo plays an imag­i­nary Acoustic Bass and does some extended vocal solos that are bet­ter appre­ci­ated seen than just heard. The DVD also includes some inter­views with Arturo Sandoval as an added bonus. The open­ing track, The Real McBop, is a fast Bebop tune pushed along by Afro-Cuban rhythms. I love this sound, and clearly nobody is doing it bet­ter these days than Arturo Sandoval.

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BeatMaker — Junky Sounds for Junky Beats

JunkYardCar

This Beatmaker Kit is my attempt at putting together a Lo-Fi col­lec­tion of junky sound­bits for rough noisy beats.

Most of the sounds I used for this kit are from a col­lec­tion of field record­ings that I did years ago on a hand-held tape recorder. My goal with this col­lec­tion was to cre­ate an appeal­ing Lo-Fi kit from what essen­tially was, just some mod­er­ately inter­est­ing record­ings with low qual­ity sound.

I also added a few home­made sam­ples that I recorded directly into my com­puter as well. Have a lis­ten to what I did with it and down­load the Kit if you like.

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Junky Kit Download Link

Get Beatmaker HereINTUA

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Jitter Kaleidoscope and other Cool Effects

During what free time I have, I usu­ally devote my energy to music, or all things audi­ble for that mat­ter, but recently I have begun exper­i­ment­ing with cre­at­ing visual effects as well.

After using Max/Msp for a lit­tle while, I real­ized that I didn’t know much about Jitter. I went search­ing on google and I found some great tuto­ri­als by Peter Elsea on the CNMAT UC Berkeley web­site which I’ll post a link to here.

The fol­low­ing is a series of pic­tures of fire­works (and one of my gui­tar) that have been warped, twisted, and kalei­do­scoped using Peter Elsea’s tuto­r­ial for the [jit.respos] object.
I have also placed these images in a Picasna photo gallery.
If you’d like to see them full size in all their psy­che­delic glory, click the gallery link at the bot­tom of this post’s page.
Original Firework Explosion Picture

Original Image

Firework Explosion with Kaleidoscope Effect

Kaleidoscope Effect

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TouchOsc Control for the Nord Electro (updated)

Now that the TouchOSC edi­tor has arrived the first thing I did was sit down and cre­ate a more appro­pri­ate lay­out for the draw­bar con­trol appli­ca­tion I made for my Nord Electro 2.

Download the .max­pat ver­sion here.

or the Runtime ver­sion here.

You can view the orig­i­nal post here if you want.

What’s New?

As you can see in the pic­ture, the lay­out now has 9 faders to match each of the Nord Electro Drawbars. I also inverted the direc­tion of the slid­ers to match the direc­tion of the Drawbar LEDs.

There are two pages, the first page (green) con­trols the upper draw­bars, and the sec­ond page (red) con­trols the lower draw­bars. The cus­tom GUI now makes it less con­fus­ing with no funny workarounds for only hav­ing 8 faders.

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Custom Wah Effect

After hear­ing some sub­tle yet effec­tive use of the wah-wah pedal on Yusef Lateef’s album, Yusef Lateef’s Detroit Latitude 42º 30º Longitude 83º, I was com­pelled to attempt writ­ing my own “wah” effect patch in Max/MSP.

I’ve been tin­ker­ing with this patch for a few days now, and even though I know it’s surely not per­fect, I think it sounds rea­son­ably cool. Also, I’m tired of mess­ing with it, so I fig­ured I just post it here for any­one inter­ested, or any­one who can pro­vide some advice on how to make it bet­ter. Here is a short sam­ple.

Bear in mind this sam­ple is to dis­play the sound of the effect not my gui­tar play­ing. I didn’t spend much time focussing on “get­ting gui­tar part right” if you know what I mean.

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MIDI Generating LFOs Pt. 2

After some time of pro­cras­ti­na­tion and a brief period of inspi­ra­tion I finally got around to fur­ther devel­op­ing the project that I started in my pre­vi­ous post on MIDI Generating LFOs. There are two big addi­tions included in the sec­ond ver­sion of this patch. The first is that I bor­rowed some aspects of Gregory Taylor’s excel­lent new tuto­r­ial on the Cycling 74 web­site, and the sec­ond is that I added TouchOSC sup­port to cre­ate cooler ways of con­trol­ling the new para­me­ters. Here is a short exam­ple of what it sounds like through one of my favorite synths.

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LFOs2

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